Cutting through Intellectual Bullshit?

"The question in front of us now as intellectuals is whether we’ve inherited so much bullshit that our criticism is condemned to be ineffective, or whether we can find escape routes and create a new brand of criticism that recovers its teeth, its ability to bite, to intervene in reality in a more effective way."


Manuel DeLanda > Self-Organizing Markets

Economics: Capitalism and Market Economy

Although popularly characterized as capitalist in organization after the end of the cold war, the world economy (and indeed even individual world-economies that self-identify as capitalist) must more accurately be seen to be populated with a multiplicity of economic dynamics as well as commercial assemblages at various levels of scale. Using the work of Fernand Braudel, it is in fact possible to distinguish two kinds of exchange relations, two kinds of economies, in modern world-economic assemblages, namely, what he calls ‘capitalism’ and the ‘market economy’. Braudel (1977) characterizes these two sets of economic relations thus:


There are two types of exchange: one is down-to-earth, is based on competition, and is almost transparent; the other, a higher form, is sophisticated and domineering. Neither the same mechanisms nor the same agents govern these two types of activity, and the capitalist sphere is located in the higher form (p. 62).


It is thus not capitalism but the market economy that is based on competition. A market economy organizes around relatively transparent exchange relationships typical of town markets, “where trade was regulated, law-abiding, transparent - ‘eye to eye and hand to hand’” (p. 51). In such collectively owned and organized commercial spaces, conventions, rituals, and rules tend to be known in advance, such that “the always moderate profits can be roughly calculated beforehand” (p. 50). They are competitive in that small and large scale commercial actors may more or less enter and participate without undue advantage to either.


Capitalism on the other hand is a high profit zone, typically resting above and profiting (even profiteering) from the activities of market economies. Of course there is in reality no single monolithic ‘capitalism’, only populations of counter-market organizations and their individual owners. Such populations are frequently associated with the term ‘private market’ but Braudel uses the term counter-market to emphasize their radical difference from (even opposition to) collective and competitive market economy dynamics. According to him (1977) the counter-market exchange relation “replaced the normal collective market and substituted for it individual transactions based on arbitrary financial arrangements that varied according to the respective situation of the individuals involved” (p. 53). Braudel (1977) considers this form of exchange relation unequal, that is to say, it privileges certain commercial actors over others, pinpointing two mechanisms exploited by counter-market assemblages:


It is obvious that here we are dealing with unequal exchanges in which competition - the basic law of the so-called market economy - had little place and in which the dealer had two trump cards: he had broken off relations between the producer and the person who eventually received the merchandise (only the dealer knew the market conditions at both ends of the chain and hence the profit to be expected); and he had ready cash, which served as his chief ally. Thus, long chains of merchants took position between production and consumption... (p. 53).


Unlike market economies, counter-market economies can thus be characterized by [1] an exploitation of production and consumption at both ends dependent on breaking the more or less direct links between producers and consumers in public markets, and [2] command of accumulated capital, and more recently credit. These trump cards in effect facilitate the concentration of economic power, creating a privileged class of commercial assemblages in the world economy. Concentrated power strengthens and expands an assemblage’s capacity (over that of its peers) to make consequential economic claims and contentions.


Rejecting the entire Marxist edifice, Manuel DeLanda derives a continuum stretching from 'agglomeration' to 'scale' across which are arrayed all the commercial assemblages in existence today. This Braudel-DeLanda framework gives us a far more flexible and useful way to think economic organizing at the scale of individual communities through to the world economy or universal market itself. DeLanda's talk embedded below expands on the ideas given here. [The above is an excerpt from something I am working on...]


Michael Jackson, you left the stars in the dust

Nietzsche on Pirates and Corporations


"Even now merchant's morality is really only a more prudent form of pirate's morality... to buy as cheap as possible, to sell as dear as possible" - Nietzsche (On the Genealogy of Morality, p. 128)

Finally I found the source of the Nietzsche quote I tweeted the other day... and as its longer than a tweet, I decided I should really post it here in my rather neglected blog. It relates of course to all the posts on piracy and pirate bay scattered throughout. 

I was thinking specifically about the ludicrous notion circulating right now - see The end of the age of the free - that such things as Twitter, MySpace and Facebook are "free". They are hardly free as we effectively exchange our 'user generated content', in fact expressions of our very life experiences, as value in return for the benefit of globalized connectivity and affectivity. To say such things are free is to say entirely discount the value of our lives, the value we bring to the table that enables multi-billion dollar company valuations.

I'm with the now defunct Second Life Liberation Army whose point was that Second Life as an entirely user generated universe should be collectively owned, with Linden Lab as another co-owner like everybody else. I would like to see a Twitter or MySpace Liberation Army... 

Pareidolia according to David Hume

There is an universal tendency among mankind to conceive all beings like themselves, and to transfer to every object, those qualities, with which they are familiarly acquainted, and of which they are intimately conscious. We find human faces in the moon, armies in the clouds; and by a natural propensity, if not corrected by experience and reflection, ascribe malice or good- will to every thing, that hurts or pleases us.


- David Hume

When I first thought up this name - @pareidoliac, I did not know of this passage from David Hume. I only found it today from a definition at the Skeptics Dictionary. 

Sweden: Forget Civil Liberties even in Art


On the heels of the recent Pirate Bay guilty verdict, I am amazed at further de-democratizing trends in Sweden, a supposedly advanced social democracy. Today I found out from Sweden's Local that Sweden's prestigious Konstfack Art School are now having lawyers review final year art projects, presumably to ensure that they do not breach Swedish laws or offend Swedish parliamentarians.

This recent move was provoked by recent controversial works by students including the performance of suicide by Anna Odell I blogged about earlier. As a result of legal review, two students may now have to withdraw their works from exhibition. The work proposed by Guermouche involves Swedish flags with texts written on them whilst Nordin's work involves sampled music and thus a breach of copyright law. 

Whilst laws are certainly a necessary component in any large scale society, I think Sweden is taking the idea of a society of control too far, forgetting that laws are conversations between the different constituencies of a territorial state, and not immutable truths or gods. As for the ridiculous notion that a work should be censored because "only the King is allowed to add text to the Swedish flag" one needs to ask what role a King has in a democratic state in the first place before then pointing out all the other examples of writing on flags or burning them littering both art and political history as a reality check.

The copyright issue, well its obvious enough that the banning of Nordin's work relates more or less directly to the archaic position on social technologies and society demonstrated in the guilty verdict against Pirate Bay by the Swedish State in collusion with a global media oligopoly including Sony, Warner Brothers, Columbia, Twentieth Century Fox, BMG and EMI. What is disturbing is that a democratically elected state chooses to side with a handful of corporations with a track record of price-setting behavior against the majority of Swedes who demonstrate in action their support for different pricing and distribution structures for media. 

The lesson in Sweden is clear, conform and do not even dream of stepping outside the carefully constructed square, not even in so-called artistic or political expression. One needs to return to the concept of democracy in times like these to ask if it really is about the rule of a majority and plurality or if on the other hand democracy today is in practice little more than old fashioned oligarchy with a whole lot of laws arranged neatly around just to give the appearance of democracy.

I'm with the artists, pirates and revolutionaries in all of this. For a sophisticated diagram of democratic organization in contemporary world-economies, Charles Tilly's Democracy is brilliant. It provides a way of thinking democracy in terms of conversations between constituencies and governments, democracy as process - democratizing and de-democratizing.

Favorite Art/ist Today: Gwon Osang



I was inspired to post today by the art of Gwon Osang after chancing upon a feature in the Telegraph - Artist turns thousands of photographs into sculptures. I like how the works combine photography, collage and sculpture all at once. To my mind's eye, these assemblages put photographic images into movement, producing a kind of cinematic work that differs from movies. So many cuts into stable continuous images of bodies and faces.